The Christian Association of Nigeria, CAN, has expressed strong disapproval over the title of a newly released Nollywood film, “A Very Dirty Christmas”, calling it offensive to the Christian faith. In a statement issued Tuesday, CAN President Archbishop Daniel Okoh urged relevant authorities to review the film’s title.
Okoh emphasized that Christmas, a sacred season commemorating the birth of Jesus Christ, should not be depicted in a manner that undermines its spiritual significance. The use of the word “dirty” in the title, he said, detracts from the purity, peace, love, and redemption that Christmas represents.
The statement read, “The Christian Association of Nigeria is deeply troubled by the title of the movie: A Very Dirty Christmas, which it considers offensive and disrespectful to the Christian faith. Christmas is a time to celebrate purity and holiness, not to trivialize or sensationalize it.”
CAN argued that while creative freedom in filmmaking is important, it should be exercised with sensitivity, especially in a country as religiously diverse as Nigeria. The association called on the National Film and Video Censors Board to explain how the title was approved for release, particularly during the Christmas season.
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In addition, CAN urged industry bodies like the Actors Guild of Nigeria and other Nollywood stakeholders to consider the impact of religious themes and symbols in their work, stressing the need to avoid offending faith communities.
The association also appealed to the film’s producer, Ini Edo, to take the concerns raised seriously and make adjustments where possible.
“The country is already facing significant moral and social challenges,” Okoh said. “Trivializing sacred values could further deepen divisions and erode mutual respect among Nigerians.”
“A Very Dirty Christmas”, produced by Ini Edo and directed by Akay Mason, was released in cinemas nationwide on December 16, 2025. The film, which explores a Christmas family reunion disrupted by unresolved secrets and past trauma, has drawn attention for its unorthodox portrayal of the festive season.
Source: Punch
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